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Category Archives: Photography

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Diving Bag to keep flash unit dry

Picked up an underwater case the other day, so I can now place my light around or even in the water. This is also my first time testing out the ST-E2 unit. I have been staying clear of these infra-red unit for the reason that it won’t work as well outdoor due to sunlight. But for something that you need to adjust the power constantly or work in a fast past environment, then this might work for you. It did take a bit of time to adjust the ratio until I got it right.

CompoH

ThaiFoodRush-113-2_1500.Full-s

Food photography can be challanging at time but also rewarding, not to mention that you may get to taste it at the end of the day. These are done for the new meny for a Thai Restaurant in Sydney. Set up is pretty straight forward. You just have to look around and you what you can.

LIGHTING:

Lighting_Food

When I got to the shooting location, designer’s backyard, the sun was blasting down on one half of the back garden and there is this glow on the shade side from the white sheets that was reflect the sunlight back. I decided that it would be better to setup on the shady side and use the soft reflected to help with the exposure. The speedlites were setup as a secondinary. The softbox acted as a filll light to soften the shadow while the top light gives it a bit of shine. For my food photography, I always light from the back.

More food images here

Tidal Pool, originally uploaded by hangingpixels.

I am just reposting all my images to start this new blog and to back track my flickr. I am planning to update this blog daily, so bookmark it and please check back here again soon – like tomorrow.

I was standing in the middle of the on coming wall of water, it might look small now but when it got to me – it was up to my thighs. More photos from the shoot of Mona Vale Pool Below is a few seconds later.

Got up at 4 to get to the pool for these shots, travelling petrol: $10

A can of WD40 to water proof the camera: $4.95*

Stand in front of an on coming wall of waves (and being scare sh#tless): PRICELESS

Make: Canon Model: Canon EOS 30D Focal length [mm]: 10 ISO value: 100 Shutter speed [s]: 1/5 Aperture: F11

*to use this, you sprey it onto a piece of cloth the wipe you camera with it, avoiding the lens and viewfinder….not sprey directly onto the camera….anything that repel moisture is good. It also stop salt sprey from clinging itself on the camera too.

Mona Vale BTS

Do whatever to get the shot right? This is me in the photo below taken by Tomhide. Wasn’t a bad capture actually, thank Tom.

Have you ever got wet or do whatever it takes to get that shot?

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Lighting_LJ
I was recently commissioned to do a job for LJ Levi (for their internal use). The brief was simple, to capture the happy couple that have just sold a property. My agent told me that there will be two professional models on site ready for the shoot. I did not think too much about the word “PRO” but what striked me was that they charge $500/hr each. (more like $250/hr + travel), why would someone pay or charge that much is beyond me, not until later that I would realise why.

When I got to location, the models were already there. They look to be in their late 30′s who seem nice, laughing and giggling to among themselves. I said “hi” and went on to set up my lights. The sun was strong so I had to set up the 600W to combat the shadow. I metered the light, fireed a couple off, then I called them over and said to them that I will need to take a few test shot before we start. I told them to be themselves, relax, keep the conversation going between themselves. I took a few shots, images looks good.

It’s time to start: I told them to get ready. They start to get themselves in position, the male model put his arm around the female, they smile giggle, “look happy” and relax without me having to say a word.

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Look at the images and though to myself “WOW, these are pretty good, we can call it a day…” But because they cost $500 each + my fee + the graphic design’s creative direction fee, I could not being myself to stop there, so we had to try different poses, angles, etc. We kept going for about 30min before I am more than sure that we got the shot we needed.

The funny thing is, the client did actually picked the 2nd shot from that day! Working with pros has definately made my job easier.

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